With an intricate design based on a Chinese legend, Blue Willow china is both beautiful and captivating. Whether you have some Blue Willow pieces inherited from your mother or grandmother or you’re planning to start your own collection, learning more about this fascinating china pattern will make collecting it even more special. Developed by Thomas Turner in , the Blue Willow pattern eventually became a classic fixture on many tables around the world. The pattern is actually English, although it is based on similar blue landscape designs in Chinese porcelain. By the end of the 18th century, several English potteries were making Blue Willow patterns, and it immediately captivated the imaginations of consumers. Potteries continued to make Blue Willow throughout the 19th century and 20th century, and it is still made today. Part of what makes Blue Willow so popular is the story it tells in its design. In the Blue Willow legend , a the beautiful daughter of a powerful man fell in love with her father’s secretary. Discovering their love, the father banished the secretary and constructed a great fence to keep his daughter contained. She could only walk by the water and the willows.
Canton porcelain Underglaze blue and white decorated Chinese export porcelain plate, early 19th century. Porcelain of this type, and sometimes even more simplified is called “Canton” in North America, since it was from this city it was exported. The inner rim border would be called “rain and cloud”. In Europe a plate like this would be recognized as ‘willow pattern’ based on the origin of the decoration.
No porcelain was ever fired in Canton however enameling studios in and near Canton Guangzhou became very common during the first decades of the 18th century, to become the predominant supplier of enamel decorations around the end of the s, due to the demand of the western buyers.
As the world celebrates Chinese New Year, we talk to our Finds Specialists about the origins of British obsession with Chinese-inspired Willow Pattern. date, our archaeologists have excavated fragments of Chinese.
Blue Willow China is delicate, classic and tells a mythical love story. The Blue Willow pattern is a blue-and-white transfer design that features a collection of engraved drawings that illustrate a Chinese fable about two lovers from different stations in life. The design usually includes a bridge with people on it, a boat with a person in it, a willow tree, an orange or an apple tree, a fence, two birds and a tea house or pagoda.
Different manufacturers adapted these design elements and used several distinctive borders. The Blue Willow pattern combines design elements influenced by Chinese export porcelain, which was popular in earlyth century England. Other English china manufacturers soon produced new interpretations of the fable, and the pattern grew in popularity.
Eventually over companies worldwide offered some version of Willow.
All About Antique Blue Willow China
What is willow? The willow pattern is an oriental pattern, most often seen in blue and white, that features common elements from manufacturer to manufacturer. These elements are a willow tree, an orange or apple tree, two birds, people on a bridge, a fence, a boat and a teahouse, which some collectors call a pagoda. The willow pattern has been made by hundreds of companies in dozens of countries, and in colors from the most-seen blue, to red, green, gold, yellow, purple, black, brown, multicolored and the list goes on with combinations.
Did you know the willow pattern has earned a rather unique distinction?
This mark comes in two sizes, s and 1, and is often combined above the date stamp Booths also made other versions of the willow pattern china, as Georgian.
China patterns come and go, but the popularity of the Willow pattern endures. In fact, demand for these blue-andwhite wares has continued for almost years and is skyrocketing again, as reported by Robert Cope- land, historical consultant to Spode, Ltd, the British pottery producer based in Stoke-on-Trent, and the author of book on the manufacturer. Copeland made his remarks prior to discussing the roots of the Chinese-influenced tablewares in a lecture last Sunday at the Metropolitan Museum of Art.
He said his interest in teacups and saucers began in childhood — and no wonder. Now as a consultant to the china producer, he retains responsiblity for maintaining and developing the Spode Museum collection. The Copeland family controlled Spode from until when, as the W. The Spode name was restored in and in it was merged with Royal Worcester.
Spode is now a subsidiary of Royal Worcester Spode, Inc. Once started, he never stopped researching the history and methods of this concern. The book covers the developments of the 17th and 18th centuries that influenced the growth of the English potteries, namely the increase of tea drinking, the effect of wars and taxation, and the decline of imports of Chinese porcelain.
And it details the evolution of various patterns. There were dozens of Kiangsi kilns and they produced such tablewares by the ton.
Identifying Blue Willow China
Many plates featuring the Willow pattern were found in Williamson’s tunnels. The pattern was designed by Thomas Minton around and has been in use for over years. Other references give alternative origins, such as Thomas Turner of Caughley porcelain, with a design date of Willow refers to the pattern, a specific treatment, either applied transfer, or stamp, known as transferware. Background colour is always white, while foreground colour depends on the maker; blue the most common, followed by pink, green, and brown.
Blairs China Hand-Finished Roses Border Fluted Vintage Bone China Tea Plate £; Booths Antique Black and Gold Willow Pattern Vintage Silicon China.
Ridgeway Mark Johnson Bros. Bakewell Bros. Johnson Bros. After, that many other American pottery companies started to produce Blue Willow items. Many companies produced restaurant dinnerware in Blue Willow and some foreign countries produced the restaurant ware for the United States. Stating both the country and state in the makers mark. Royal China Company Circa —
Blue And White Bone China Willow Pattern Dinner Plate
Tumblr Blog. Richard Hoppe specialises in antique and vintage scent and perfume bottles, attractive ceramic tiles and panels, decorative Continental glassware by famous makers. For your consideration is a vintage linen tea towel with the Blue Willow pattern. It is in excellent condition as it is unused, and is made out of linen by Ross. There is a paragraph about the history of the Blue Willow pattern.
If you have any question, please convo me!
Our elegant Blue Willow china is a perfect conversation starter. Churchill China of England has created a set with this rich, traditional pattern.
There seems to be a problem serving the request at this time. Skip to main content. Shop by Date Range. See all – Shop by Date Range. Shop by Product Type. See all – Shop by Product Type. All Auction Buy it now. Sort: Best Match. Best Match. View: Gallery view.
Department of Anthropology
Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community. Please make sure that you’ve entered a valid question. You can edit your question or post anyway. Please enter a question. Churchill can trace its origins back to and the foundation of its first factory in the heart of Stoke-on-Trent om Staffordshire, England.
Bridge is a willow pattern style design with one person on the bridge and another about to get on. It was made by several makers including Minton and.
Q: I have several pieces of Blue Willow china but not a complete set. The largest piece is a platter that is 15 inches across. The pieces have no marks but I know they are at least 60 years old. These stories originally were published in and tell all about the adventures of a young girl growing up in rural Prince Edward Island. In the first book, town busybody Rachel Lynde plans a booth for the church fair. As she wants the booth to have the look of an old time kitchen, she decorates the booth with Blue Willow china.
Both of your friends are correct. Blue Willow porcelain was first imported to England from China in the 18th century. By , porcelain manufacturer Thomas Minton had reproduced the pattern on a line of his dishware. Blue Willow never has been out of production somewhere in the world ever since. One reason for the popularity is the charming detail of a castle, a fence, a boat on a river, two figures crossing a bride and a pair of birds.
All the details are components of an ancient love story. Several variations exist but the simple version is as follows.
Elegant Blue Willow China for Special Occasions and Everyday Use
Two birds flying high, A Chinese vessel, sailing by. A Chinese temple, there it stands, Built upon the river sands. An apple tree, with apples on, A crooked fence to end my song. As one of the most renowned and fascinating of romantic fables, with its Shakespearean overtones of doomed love and tragedy, the Willow Pattern story is universally familiar. This timeless tale of star-crossed lovers appeals to the imagination whilst the intricate and decorative Willow Pattern itself has been hugely popular for centuries.
This instantly recognisable pattern is a classic Chinese landscape design, the fundamentals of which include a weeping willow, pagodas, a crooked fence, a tree bearing fruit, three or four figures on a bridge, a boat and a pair of lovebirds forever kissing.
As with nearly all of the Willow pattern china I have tested, it was If you have more information (or links) about dating the piece (based on the.
This document covers the earthenware in the blue and white Willow pattern produced by Booths at Tunstall from and A. Harley Jones at Fenton from All statements made in this document are to be regarded as expressions of opinion by the author, rather than assertions of fact. Any users of this document do so at their own risk and should be aware of the possibility of errors existing. However no deliberate deception is intended, and all statements are made in good faith. As there doesn’t seem to be a formal standard for naming pieces, and if you have always called a Meat Platter an Oval Plate, or vice versa, be prepared for further confusion.
As an example, a Salad plate can be any one of a number of different shapes depending on your personal usage. To attempt to reduce any confusion, an attempt has been made to photograph each piece, rather than describe it by name. All sizes must be regarded as approximate, for there is always going to be some shrinkage in the firing process, which will vary according to the mix which was used at that time.
All linear measurements are in imperial inches , volumes are in pints, but all weights are in metric grams. This mark comes in two sizes, s and 1, and is often combined above the date stamp from R d N o from The registered design number was allocated in Nov. The same registered design number also appears on ‘The Pompadour’ pattern, and can be assumed to refer to the design shape of plates, rather than the decoration style.
Flo Blue, Blue Willow, and Staffordshire Historical Blue are all names of various wares decorated with underglaze transfer designs in cobalt blue. Although limited reproductions of all those types have been made for many years, new blue transferware now occupies entire pages of reproduction wholesale catalogs. Several American wholesalers each sell over 40 new shapes; one English supplier offers nearly pieces.
Plantilla:Weasel The Willow pattern, more commonly known as Blue Willow, such as Thomas Turner of Caughley porcelain, with a design date of pottery sales of Minton’s original willow pattern derived from an older Chinese design.
It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from China. Its creation occurred at a time when mass-production of decorative tableware, at Stoke-on-Trent and elsewhere, was already making use of engraved and printed glaze transfers , rather than hand-painting, for the application of ornament to standardized vessels transfer ware.
Many different Chinese-inspired landscape patterns were at first produced in this way, both on bone china or porcellanous wares, and on white earthenware or pearlware. The Willow pattern became the most popular and persistent of them, and in various permutations has remained in production to the present day. Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers.
The exact moment of the pattern’s invention is not certain. During the s various engravers including Thomas Lucas and Thomas Minton were producing chinoiserie landscape scenes based on Chinese ceramic originals for the Caughley ‘Salopian China Manufactory’ near Broseley , Shropshire , then under the direction of Thomas Turner. However the Caughley factory did not produce the English Willow pattern in its completed form. Thomas Lucas and his printer James Richards left Caughley in c. Thomas Minton left Caughley in and set up on his own account in c.
The Willow pattern is commonly presented in a circular or ovate frame.